March 25, 2018 + Sunday of the Passion – Palm Sunday
Holy Eucharist Rite II at 10:30 a.m. sung by the Youth and Adult Choirs, sermon by the Rev’d William Eakins.
Worship at Home:
Click here: Service Bulletin – Sermon Text
Palm Procession from the Cloister Garden
Hymn in Procession 154 All glory, laud, and honor Valet will ich dir geben
Kyrie Eleison S-84 Gregorian Chant, Orbis factor
Sequence Hymn 158 Ah, holy Jesus, how hast thou offended Herzliebster Jesu
Sung in unison; men sing verse 2, women sing verse 3, all sing remaining verses.
Offertory Anthem Sanctus from Requiem Gabriel Fauré (1845-1924)
Heidi Tummescheit, violin
In the Sanctus Fauré offers something like a vision of the Kingdom of Heaven itself. Over an almost minimalist harp-and-string figure (perhaps representing the clouds themselves?) and a high solo violin, the sopranos and high men play duetting choirs of angels, calling and responding and slowly building to the triumphant Hosanna.
Sanctus Gregorian Chant, Deus Genitor alme
Agnus Dei Gregorian Chant, Deus Genitor alme
Communion Anthem Salvator mundi Thomas Tallis (1505-1585)
Words from the Sarum Manual
Salvator mundi, salva nos, qui per crucem et sanguinem
redemisti nos. Auxiliare nobis, te deprecamur, Deus noster.
Saviour of the world, save us, thou who by thy cross and blood
hast redeemed us. Come to our rescue, we beseech thee, our God.
Salvator mundi has a more personal text (“Saviour, help us, redeem us!”) but it still inhabits a spiritual realm. English Renaissance composers enjoyed a certain musical technique called cross-relationships (for example, a G-natural and a G-sharp sung at the same time.) Tallis employs that “crunching sound” frequently here to establish the poignant pleading of the text.
Hymn in Procession 168 O sacred head, sore wounded Passion Chorale